CARMEN, August, 2019

Daze Magazine
"Puerto Rican mezzo-soprano Laura Virella hits all the right notes—she’s flirtatious, sensual, sympathetic, full of fire and delivers a stellar vocal performance."

FRIDA, June, 2017

The LA Times

“An instantly believable Frida, a capable singer and actor, compelling on stage.”

CARMEN, August, 2019

Opera Canada
"Mezzo Laura Virella made a strong impression as Carmen. She presented a very sexy, defiant femme fatale, indeed."

CARMEN, August, 2019

Gigcity.ca
"As Carmen, Virella is sensual, uninhibited and liberated – a Carmen for our times."

FRIDA, June, 2017

Hoy LA
"Virella is a spectacular Frida, absolutely  eloquent in her feminist, liberal, and revolutionary sermons, and fully convincing in her representation of the physical and mental pain that were inseparable parts of Frida's existence." 

FRIDA, June, 2017

LA Weekly
"Puerto Rican mezzo-soprano Laura Virella is vibrant in the title role."

 

FRIDA, June, 2017

Hoy LA

"And already, the focus of attention was on Laura Virella, who plays the role of Frida with a conviction and vocal power worth hearing in person."



FRIDA, June, 2017

People's World

"The fine Puerto Rican mezzo-soprano Laura Virella, making her LBO debut, is almost always on stage in the title role, negotiating not only the music but moving around both on her own two legs and by wheelchair. She totally looks and inhabits the part."

 

FRIDA, June, 2017

ShowMag

"Laura Virella is a vibrant Frida with an attractive, plush sound."

FRIDA, June, 2017

Press-Telegram

"Frida [was] played with feisty intensity by Puerto Rican mezzo-soprano Laura Virella." 

FRIDA, June, 2017

Culture Spot LA

"Venezuelan-American lyric baritone Bernardo Bermudez and Puerto Rican mezzo-soprano Laura Virella were exceptional in their leading roles."

FRIDA, June, 2017

Gazettes

"Laura Virella in the title role possesses a bright, luminescent mezzo that at once conveys Kahlo's passion and her pain. A completely realized performance, singing and acting with both beauty, when called for, and intensity."

 

FRIDA, June, 2017

Easy Reader News

"Mezzo-soprano Laura Virella is compelling as Frida, and Bernardo Bermudez, a lyric baritone, is a fine match. They don't sing many arias together, but when they do, it's hard to resist being pulled in and embraced by their voices." 

MADDALENA, May, 2016

Voce di Meche

"As Maddalena, mezzo-soprano Laura Virella was totally believable--just as vulnerable to the charms of the Duke as Gilda was--and convincingly persuasive with her brother as she begged him to spare the Duke's life, even as he sings the famous 'La donna è mobile', driving the audience wild." 

CARMEN, July, 2015

La Vanguardia

"The fabulous Laura Virella's Carmen is excellent, as she powerfully begins her career."

OCTAVIAN, August, 2012

Kleine Zeitung

"Worldwide beloved Kammersängerin Linda Watson impressed with her precise phrasing and interpretation, as did Laura Virella, from Puerto Rico, with her fervent Octavian."

LUISA FERNANDA, 2011

DC Theatre Scene

"Mezzo-soprano Laura Virella, as Luisa, demonstrates an impressive emotional range in her acting as she effortlessly projects nuance from ebullience to melancholia in her phrasing."

OLD WOMAN (CANDIDE), 2011

Taminophile

As the Old Woman, mezzo Laura Virella was the greatest standout of this show. She gave us singing that was beautiful and acting that was just histrionic enough. Her comic timing was the best of the evening. It was clear Miss Virella was having tremendous fun.

OLD WOMAN (CANDIDE), 2011

The Opera Insider

"Laura Virella used her rich mezzo to great advantage in the hilarious role of The Old Lady."

LUISA FERNANDA, 2008

DC Theatre Scene

"The title role is sung by silky-toned mezzo--soprano Laura Virella, with a sweet innocence that evolves into the fiery indignation of the rejected woman."

JACQUES BREL IS ALIVE AND WELL, 2004

Washington Times

"All, especially the rich mezzo-soprano Laura Virella, are gifted singers."

ZWEITE DAME (ZAUBERFLÖTE), 2002

El Nuevo Día

"Virella could very well be singing at the Vienna Staatsoper."

CARMEN (TRAGÉDIE), 2002

Baltimore Sun

"Laura Virella's Carmen couldn't have been much more sensual without inviting a police raid."

VIVALDI GLORIA, 2001

El Nuevo Día

"Virella, at a very early age, already communicates with transparent sincerity, from her educated and privileged lower register, the fervor of this marvelous doxology text to the Trinity."

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